Gustave Courbet: The Artist’s Studio – 1855

Gustave Courbet: The Artist’s Studio – 1855

Paris, Musée d’Orsay In the autumn of 1854, Courbet wrote to the art critic Champfleury: My dear friend, In spite of being assailed by hypochondria, I have launched into an enormous painting 20 feet by 12, perhaps even bigger than The Burial, which will show that I am still alive, and so is Realism, as … Read more

Mary Cassatt: Young Girl in the Garden 1880–82

Mary Cassatt Young Girl in the Garden 1880–82

Paris, Musée d’Orsay Mary Cassatt was exceptional in many ways; one of the few successful female artists of the era she was also the only American member of the French Impressionists. From a wealthy Pennsylvania family, Cassatt first came to Paris in 1865 to studying painting – despite her father’s disapproval; he once said he … Read more

Hans Holbein the Younger: The Ambassadors (Jean de Dinteville and Georges de Selve) – 1533

Hans Holbein the Younger The Ambassadors (Jean de Dinteville and Georges de Selve) - 1533

London, National Gallery This large picture, painted on oak, depicts two life-size figures. Standing to the left is Jean de Dinteville, French ambassador to England; on the right is his friend Georges de Selve, Bishop of Lavaur who acted at various times as ambassador to a variety of European states. Holbein was probably commissioned to … Read more

Francisco de Goya: Portrait of the Duke of Wellington 1812–14

Francisco de Goya Portrait of the Duke of Wellington 1812–14

London, National Gallery On 22 July 1812, Lieutenant General the Earl of Wellington (as he then was), at the head of an army of perhaps 50,000 men inflicted a severe defeat on a French force of similar size near Salamanca in a battle which military historians consider to be ‘Wellington’s Masterpiece’. A few days later … Read more

Lucas Cranach the Elder: Adam and Eve – 1526

Lucas Cranach the Elder: Adam and Eve - 1526

London, Courtauld Institute Gallery In 1504 Lucas Cranach travelled to Wittenberg from Vienna in order to take up the post of court painter to Duke Frederick the Wise. Thirteen years later Martin Luther catapulted the town to prominence when he nailed his 95 theses to the door of Wittenberg Palace church. Consequently Cranach found himself present … Read more

Carlo Crivelli: The Annunciation with St Emidius 1486

Carlo Crivelli: The Annunciation with St Emidius 1486

London, National Gallery On 25 March 1482 the town of Ascoli Piceno was granted some rights of self government by the Pope. 25 March is also the Feast of the Annunciation and in carrying out his commission for the Franciscan church of the Annunciation, Carlo Crivelli has conflated the two events — one political and … Read more

Jean-Auguste-Dominique Ingres: Comtesse d’Haussonville – 1845

Jean-Auguste-Dominique Ingres Comtesse d’Haussonville - 1845

New York, Frick Collection ’A portrait of a woman! Nothing in the world is more difficult, it can’t be done … It’s enough to make one weep.’ – Ingres A perfectionist, Ingres surpassed even his teacher Jacques-Louis David in his painstaking attention to detail and finish. A painting was not done until he was satisfied and clients … Read more

Sandro Botticelli: The Annunciation – c1485

Sandro Botticelli The Annunciation - c1485

New York, The Metropolitan Museum of Art We are witnessing one of the most solemn moments in the Christian story. An angel has appeared with a message from heaven; the recipient of that message, and of God’s will, kneels. The world holds its breath – the instant draws out into a timeless lacuna, filled with … Read more

Antonello da Messina: St Jerome in his Study – c1475

Antonello da Messina St Jerome in his Study - c1475

London, National Gallery Antonello is traditionally given credit for the introduction into Italy of painting with oil glazes, a technique perfected by Jan van Eyck, where thin translucent layers of oil paint are painstakingly built up enabling the artist unparalleled scope for the depiction and modulation of detail. There is no independent evidence for this and … Read more

Raoul Dufy: La Fée Électricité (The Spirit of Electricity)  1937

Raoul Dufy La Fée Électricité (The Spirit of Electricity)  1937

Paris, Musée d’Art Moderne de la Ville de Paris This masterpiece by Dufy usually elicits a standard response: ‘wow’. The immense painting (10m x 60m – of which we can only illustrate a section), curved like a softly formed V, envelops the viewer in a sea of colour and narrative that literally makes jaws drop. Painted … Read more